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Arts: Photography

International Conference on Food Styling and Photography June 1, 2007 June 4, 2007 Angola

http://www.bu.edu/foodandwine
Friday, June 1
4:00 to 6:00 pm: Pre Registration
6:00 pm to 7:30 pm: Welcome Wine Reception

SATURDAY, June 2
7:30 am: Registration table open; continental breakfast
8:30 am: General Session
Welcome from Tanya Zlateva, Associate Dean, Metropolitan College; Rebecca Alssid, Director, Programs in Food and Wine, Boston University; John Carafoli and Lisa Golden Schroeder, Co-chairs

What?s Happening in Food Photography Around the World?
Panelists: Ignacio Urquiza, Michael Athanasiou, Caroline Westmore, Linda Brushfield
What?s going on in the business outside of your own marketplace? We read professional publications to stay current, but don?t always have time to read about issues from across the ocean or border from us. A panel, comprised of food stylists and a food photographer, from Mexico, Greece, and Australia share their work and what they see as the current trends and work style in their part of the globe. We will open this session up for an audience discussion, bringing in comments from participants working all over the world.

10:30 am: Break
11:00 am: Concurrent sessions

Making the Most of Your Photography Dollars
Presenters: Jim Scherer and Katherine Hennessey
A busy food photographer and sales representative will outline smart ways to help you and your clients get the most bang for your photography buck. Topics include: building an accurate estimate, the need for effective pre-production planning, and the importance of teamwork on the set. How do photographer, stylist, and art director brand the photography, so it looks like it belongs to this client and not another client? What do your images say about you? And what is the importance of photography within your overall marketing mix? This session is intended for anyone involved in image creation who wants to provide sound solutions for their clients.

Debunking Styling Myths
Presenter: Debbie Wahl
A veteran food stylist, through photo review and demonstration, will show the evolution of food styling over the past 25 years. As photography technology has advanced, so have styling techniques. Myths of ?fake? food and the use of non-edible products to give food under the camera staying power are becoming notions of the past, but some strange perceptions about what a food stylist does persist. Old or bad styling practices vs. new and contemporary methods will be compared?with an emphasis on more casual styling and newer ?green? techniques being embraced worldwide.

MASTER CLASS
Chocolate: History, Politics, and Practical Techniques for Photography
Presenter: Melanie Dubberley
So you?ve landed that big chocolate shoot! Now what? A food stylist known for her chocolate work will share the fundamentals of successfully handling this challenging ingredient. Learn where chocolate comes from and explore the origins of the new organics trend and its significance for working with chocolate products. Discover the ins and outs of chocolate tempering?and when it isn?t necessary. Delve into an in-depth demonstration of essential chocolate styling techniques from bars to sauces. Take home helpful tips for photographers, stylists and art directors?and the right questions to ask when hired to shoot this most indulgent food.
Requires registration/limited enrollment

1:00 pm LUNCH break
2:30 pm: Concurrent sessions

Food for Film?Production Fundamentals for Commercials, Movies & Television
Presenters: Julie Hettiger and Rick Ellis
Styling food for commercials, movies or television involves far more than the typical preparation of a single ?stand-in? and then the final ?hero? for a print shoot. The pure logistical planning and stamina requires a different skill set for the food stylist. Can you be ready for 50 takes of the same food shot? Two film stylists who have tackled television shoots on location and full-feature films involving massive amounts of food share their cool-headed approach to this daunting venue for stylists. They will fully examine the demands and preparation needed for this kind of work plus their take on current trends in the business. Great solutions for making tough things happen on film.

Transforming Recipes into Amazing Photos
Panelists: Romulo Yanes, Paul Grimes, Ruth Cousineau and Maggie Ruggiero
The editorial team from Gourmet magazine will give an insider tour of how they develop their editorial plans and new recipes for each issue, then how they decide on the photographs to best illustrate each article. How do they decide what to put on the cover of the magazine? Do recipes change in the kitchen to reflect how the food looks once under the camera? Does the test kitchen team think about developing recipes in a specific way so they are more attractive? What role does the staff photographer play in the planning process and how does the process change when a part of the magazine is shot on location or by a freelance photographer? Do the staff stylists have a strong voice in the recipes to be photographed? Understand the need for accuracy in portraying recipes when home cooks love to see food look incredible on the printed page, but also expect it to look the same in their own kitchens.

4:00 pm: Break
4:20 pm: Concurrent sessions

Creative Minds: Compelling Photos In Review
Panelists: Beth Galton, Deborah Jones and Francine Zaslow
A panel of award-winning and highly admired food shooters will share their work, their creative inspirations, and what it takes for them to get ?the? shot. From working with stylists to shooting chefs or food in their own environments, these dynamic women have a special touch to their photographs that is hard to define and sets them apart. They will show what makes them commercially successful, but also artistically unique.

Reality Check?Is This for Real?
Presenters: Betsy Robinson and Cindy Lund
The truth and consequences of the advertising images we see and often create. Whether photographing or styling a cookbook, magazine, print ad, television commercial or package front, you need to be aware of your legal and ethical responsibility when representing a product or recipe. Changes in advertising venues, new methods of photographic manipulation and consumers? growing concern with health issues are all affecting how we conduct our businesses today. Examine how these industry changes impact our responsibilities to represent food beautifully, yet accurately. Our speakers will address these issues and ethical parameters from two specific viewpoints; that of a major food corporation and an independent consultant. Who are the governing agencies that regulate food advertising? What are the differences between what’s legal and what?s ethical? What procedures and practices will keep you and your client on the same track? And what can you do when the studio team can’t agree? A compelling review of current food images will help you decide for yourself how the food styling/photography industry is doing.

MASTER CLASS
More Than One Way to Roast a Chicken or Make a Burger
Presenter: Dan Macey
You?ve heard all the so-called tricks. Many have become the lore of food styling and perpetuated by Internet blogs?motor oil on turkeys, Vaseline on steaks, and hair spray on pot roasts! Here you will see the real results of days of tests experimenting with the best ways to style meat and poultry for the camera. Dan will demonstrate the results of his testing on poultry, pork and beef using browning agents, hydrating methods and styling techniques. Multiple ways to achieve the ?grilled? look will also be tackled as well as techniques for handling raw meat shots and creating meat sandwiches. The class will show that there are multiple ways to achieve great results depending on the available resources and desired results of the shoot.
Requires registration/limited enrollment

5:40 pm: Sessions concludes
7:30 Dinner: A Lobster Bake by Jasper White of Jasper White?s Summer Shack
(pre-registration required)
SUNDAY, June 3
7:30 am: Registration table open; continental breakfast
8:30 am: Plenary Session
The Science behind the Style?What?s Going on in the World of Chefs and the Photo Kitchen
Presenters: Harold McGee and Shirley Corriher
Two highly regarded food chemistry experts will explore new trends in the ways food is being transformed in restaurant kitchens?which eventually trickles down to home cooks and photographs of food in magazines, cookbooks, and new food product advertising. How can current trends translate to what stylists and photographers are doing in the studio when shooting food? And what food chemistry principles and techniques could help make stylists? jobs easier?

10:30 am: Break
11:00 am: Concurrent sessions

The Life of a Restaurant Photo Shoot
Presenters: Carol Peterson and Michelle Glander
A food stylist and restaurant marketing executive will take you through the steps to create a successful restaurant shoot that ends with beautiful, descriptive photos. Each step of the process will be shared, starting with the marketing brief or need (a sales brochure, menu, advertisements, etc.), translating the final goal of the shoot into the idea/concept phase with designers, then hiring the right photographer/stylist team to execute the layouts. The importance of pre-production planning will be emphasized. The presenters will share the process and outcome of actual shoots in photo studios and on location in restaurants?and the stylist’s role in making the food look delicious and believable.

Becoming a Discerning Photo Critic
Presenters: Delores Custer and James Scherzi
What are the basic requisites of a good food photo? What are the subtle differences between a photo that is ?good? and one that is ?sensational, visually appealing and utterly mouthwatering?? In this session, everyone is a critic ? as a stylist and photographer cover the details that add up to an extraordinary food image. Through visual examples, the presenters will explore what works and what doesn?t and what the key criteria are for evaluating effective editorial and advertising photos. They will explore ways to establish a signature look to images. They will also share how to put together and direct a good food-photo team, outline some basic food photography history, and point out current trends to watch. Learn to look at food images in a new, fresh way with a critical eye.

Design Trends and Prop Styles
Presenters: Susan Linnet Cox and Jay Bruns
Two design and set specialists will discuss how the entire studio team can operate effortlessly in setting the atmosphere for successful photos. They will take a close look at trends in design, tabletop and housewares, textiles, color and propping techniques for providing clients with just the right image for their products. Working effectively with every kind of photo stylist, the current fashion of chefs and designers creating signature tableware, and the art of commissioning artists for unique tabletop pieces for photography will be shared.

12:30 pm?LUNCH (included in registration)
1:30 pm: Feature Session

MASTER CLASS
Ice Cream and Frozen Desserts
Presenter: Judy Peck Prindle and Jim Scherer
For so many of us, the thought of shooting ice cream sends chills, then real worry about the logistics. Watch two studio pros that shoot ice cream regularly as they demonstrate the tight collaboration necessary to work with frozen desserts, from the loose editorial ?scoop ?n shoot? to the ultra-controlled advertising or packaging shot. Better understand pre-production planning, prep in the studio kitchen, and working under the camera with a photographer?reducing the stress of shooting real ice cream.

3:30–Break
4:00 pm: Concurrent Sessions

Effective Marketing Strategies for Photographers and Stylists
Presenter: Ilise Benun
A self-marketing guru and mentor will take a close look at what prospective clients are looking for?and the best way to reach them. Cold calling, electronic or direct mail promotions, portfolio and web site development, creative ?concepting? for clients, testing for portfolio or stock photography and mastering your own business development will be addressed. Case studies of the marketing plans and materials of a real photographer and stylist will be reviewed and evaluated for the audience.

Following the Light
Presenter: Teri Campbell
Come explore current trends in lighting for food with a highly successful food shooter, who will reveal the lighting techniques he uses to make appetite-appealing images that do more than just document a product. Learn how to evoke an emotional response from the viewer?usually one that says, ?I want that?. If you think your lighting looks the same every time, or if you struggle to get the look you want, this session may be inspiration to try something new.

5:30 pm: Sessions concludes

MONDAY, June 4, 2006 (1/2 day)

8:00 am: Continental Breakfast
8:30 am: General Session
Welcome by Jan Halfond, Dean of Boston University?s Metropolitan College and Extended Education
Concluding statements from organizers, purpose of conference, general housekeeping, etc.

9:00 am: Keynote speaker, DARRA GOLDSTEIN
The Social and Cultural Commentary of Food Images
Darra Goldstein, a professor at Williams College, is also the editor of Gastronomica magazine, a University of California Press publication that elaborates quarterly on the relationship of food to culture. She chooses photographs for every issue that illustrate articles as diverse as the origins of barbecue, ?Alaska?s Vanishing Arctic Cuisine? (including a shot of rendered seal oil from blubber), and ?Behind the Bee?s Knees?, an ode to how honeybees do their job, complete with a full-page photo of bees on a tray of screened pollen. But her choice of controversial or provocative images are the most fascinating, from a cover shot that featured a very tight shot of a mustachioed farm worker eating a tomato fresh from the field to an artist?s interpretation of our daily struggle with food, with a series of monochromatic photos of a decadently lush nude woman cavorting with lithe ?handmaidens?, enjoying bowls of pasta. Darra will share her vision of how photographs of people, food and their environments can affect viewers, start conversations and possibly affect action or change.

10:30 am: Break

11:00 am: Plenary Session
The State of the Business: Nuts and Bolts for Success
Panelists: John Carafoli, Lisa Golden Schroeder, Eugene Mopsik, Neil Martin, Carolyn Dowd/open audience discussion
How are we conducting our core businesses, beyond the creative aspect of what we do? Do you struggle with important business policies that can affect your bottom line? Join our panel of stylists, the director of a photography trade association, an art director and an art buyer in a panel discussion about setting rates, hiring and working with support staff, dealing with expenses, overtime, marketing and referrals, image usage, the impact of stock photography on commissioned photography, the use of technology (Photoshop), finding the best approach for every job?and staying fresh and creative at the same time!

1:30 pm: Conference concludes
Pre-Registration $525
Registration $525
Matriculating Student $350
Boston University

Imagination Expo 2007 May 18, 2007 May 19, 2007 USA

http://www.cateyes4u.com/expo
FOR IMMEDIATE RELEASE:

CONTACT:
Karen B.
Imagination 2 Expo/Convention
641-682-7595
karen@cateyes4u.com
http://www.cateyes4u.com/expo

Imagination Expo 2007: Some Where In Time

The Imagination Expo 2007 will be held in the Chicago area at: The Wyndham Drake 2301 York Road Oak Brook, Illinois 60523 United States Phone: 630-574-5700

Dates: May 18th & 19th 2007 This Event is open to all models and photographers & businesses related to Photography. Beginning to Professionals.

This is the 4th Expo/Convention of it’s kind. There will be workshops for both models and photographers. Exhibits…and a Saturday evening Buffet for attendees.

The Imagination Expo 2007 theme will be: “Some Where in Time, Picture It”

The Informational site is located at: http://www.cateyes4u.com/expo

You cannot afford to miss this event. A chance to meet those in the industry that offer so much information and expertise. And, a place to network with those you otherwise would not have the opportunity to. Come Join US!

PO Box 141

Estramged Realities June 29, 2006 June 30, 2006 United Kingdom

http://artschool.newport.ac.uk
?Estranged Realities? is a one-day conference organised by and for postgraduate students. Its aim is to provide a forum for discussion of diverse aspects of representational practices as produced by photography and film (including digital manifestations). In hiding the conditions of its production, film and photography have been able to simultaneously produce ?otherness? and difference whilst also allowing for imaginative and subjective interventions into realist discourses. Whether as a vehicle for producing knowledge (however subjective or partial) or intervening in the production of reality, photography and film provide rich breeding grounds for discussions on the estrangement of the medium from itself and the medium from its subject.

?Estranged Realities? will provide a friendly and critical forum for the presentation of papers. Submissions from MPhil/PhD candidates or candidates who have submitted thesis within the past twelve months are welcome (whether practice-led or theoretical/historical).

?Estranged Realities? is organised and funded by the Centre for Photographic Research, the International Film School Wales and InvisibleCollege.
The conference fee will be ?20, including refreshments and lunch
Concessions available. Please contact the conference organisers as listed below.

The day is expected to run from 09.30 to 17.30

Papers should be no more than 20 minutes. Please send abstracts of not more than 250 words plus a brief CV by
24th April 2006 to:

Ronnie.close@students.newport.ac.uk
Julia.peck@students.newport.ac.uk

Possible themes are:

? The dynamics of picturing people and place
? Visualising differences, whether class, gender, sexuality, race, ethnicity etc.
? Explorations of emerging identities or shifting territories
? The position of the spectator in consuming difference
? Discussions of (cultural) anthropological work
? The reality effect of the image
? Surrealist appropriations of the real
? Discussion of practices or strategies which makes evident the gap between the object and representation
University of Wales, Newport, UK.

Imagination Expo 2006 June 2, 2006 June 4, 2006 USA

http://www.cateyes4u.com/expo
FOR IMMEDIATE RELEASE

Media Contact:
Karen
641.682.7595
karen@cateyes4u.com

“Imagination Expo/Convention 2006 - Kansas City Missouri”
Embassy Suites KCI

7640 N.W. Tiffany Springs Parkway

Kansas City Missouri 64153-2304

Telephone: 1-816-891-7788

June 2nd - 3rd - 4th 2006

There will be workshops, seminars, photo contests and more.

The informational website: http://www.cateyes4u.com/expo

Fee: $59.00 in advance $65.00 at the door

Exhibitors tables: $60.00 no entry fee

We are seeking sponsors and door prize contributors.

This event is open to anyone in the Photography and Modeling business - General Public.

This is an excellent opportunity to network with those in the Modeling/Photography business.
A way for you to showcase your merchandise and portfolios.
Models & Photographers benefit from an event such as this.
Business benefit, exchanging ideas plus see what’s new and what’s hot in the industry today.
This Expo/Convention is not limited to the Midwest region, anyone may attend.

You can’t afford to miss this “networking opportunity” This is the third of it’s kind….
“We strive to give the best Expo/Convention that there is.”

The Entertainment is the best around, the Models and Photographers, the Exhibits, The price can’t be beat!
Don’t miss this exciting show! For more information, contact Karen at 641.682.7595.

NOTE TO EDITORS: For interviews. Contact Karen at (641) 682-7595.

Just Imagine The Possibilities

PO BOX 141

The Photograph, an international interdisciplinary conference March 11, 2004 March 13, 2004 Canada

http://www.umanitoba.ca/photograph
The Photograph conference, an international interdisciplinary event organized by Mosaic, a journal for the interdisciplinary study of literature, will be held from March 11-13, 2004 at the University of Manitoba, Winnipeg, Canada.

Keynote speakers: Mieke Bal, Eduardo Cadava, David Farrell Krell, Fred Wah

The conference includes two panels and 78 presenters from Japan, South Africa, Australia, Tasmania, Europe and North America. Topics to be addressed during this major three-day gathering include war photography, photo-theory, photography and fiction, memory and the archive, photography and race, crime, gender and architecture.

Established in 1967, and currently edited by Dr. Dawne McCance, Mosaic is internationally acclaimed as the leading journal for interdisciplinary study of literature. Mosaic essays draw insights from a wide variety of disciplines to highlight the theoretical, practical, and cultural relevance of literary works, and to address the nature and scope of interdisciplinary study itself.

Following The Photograph conference, Mosaic plans to publish selected essays from the event in a single or double special issue.
Fees for graduate students who register by December 19, 2003 (early registration deadline) will be waived. Please see our Web site for further registration details.
208 Tier Bldg

Seoul International Photo & Imaging Industry Show 2003 (PHOTO & IMAGING) May 15, 2003 May 18, 2003 Korea, Republic of

http://www.photoshow.com
Event Name: Seoul International Photo & Imaging Industry Show 2003

Show Period: May 15 ~ 18, 2003

Venue: Pacific Hall (1st Fl.) at COEX

Organized by: COEX, Korea Optical Industry Association, and Korea Professional Photo Marketing Association

Vermont College Fall Photography Workshop USA

http://www.tui.edu/vermontcollege/templates/conferences.php?article_id=40
Come learn and create in Vermont during the state’s most picturesque season! Join a diverse group of instructors and presenters for four rich days of experiential creative photography on the beautiful Vermont College Campus. Open to Photographers of all levels and interests, this conference will immerse the participant in the medium of photography through hands-on workshops and dialogue. Daily workshops, group meals, opportunities to speak with experienced instructors and photographers, plus evening workshops and presentations will highlight this event.

Workshops

The Fine Art Portrait in the Landscape: B&W and Polaroid Transfer Exploration
Workshop leader: Annie Van Avery
Using the picturesque Vermont landscape, participants in this workshop will have the opportunity to combine two fine art subjects: portraiture and the environment. Annie Van Avery will show participants how to move out of the “studio lighting box” and into the environment to achieve stunning results with only a camera and reflector. A combination of black-and-white print film and color slides for Polaroid transfers will be used on field shoots with models. For more information on Polariod transfers, see www.polaroid.com or see work on the instructor’s website. You may never go back inside!

Teaching, Communicating and Learning the Art of Seeing
Workshop leader: Carley Stevens-McLaughlin
This workshop serves a dual purpose, for educators seeking to learn more about teaching photography as a medium for self-expression and vision, and for those who would like to learn these techniques for themselves. Carley Stevens-McLaughlin offers an intuitive and constructive look at her mantra, anyone can be a photographer. She has a way of teaching the medium without creating any technical intimidation, stemming from her passion for photography as a social outreach tool, a means to self-confidence and an exploration of how one sees the world. Carley will also share her recent publication (see under Instructors and Presenters) and discuss her experiences as an educator and youth advocate.

The Brilliant Color Landscape
Workshop leader: Craig Line
This workshop is for photographers who want to develop a stronger sense of color, composition, exposure and technique in shooting color landscapes and nature photography. Craig Line and participants will discuss cameras, lenses and other equipment as well as films, light and exposure and aesthetic elements: compositional components, color, and capturing mood and emotion in the landscape. Craig will also show some of his own work to illustrate methods for group discussions.

Fine Art with the Plastic Camera
Workshop leader: Debra Sugarman
Throwing technical control out the window, Debra Sugarman will lead participants through the freeing process of picture taking with the Holga medium-format plastic camera. With its quirks, lens distortions, one-choice shutter speed, and primitive focusing capabilities, the plastic camera allows the photographer to focus on the artistic, creative side of photographing. This is a wonderful workshop for those professionals who want a break from the technical aspects of their medium, or for beginning photographers looking to explore the options. Debra makes picture taking a personal and original experience which you will be able to take home with you, along with your new Holga camera.

Creative Imaging: Using Digital Tools to Enhance Your Artistic Vision Introduction to Adobe Photoshop and Digital Photography
Workshop leader: Jeb Wallace-Brodeur
Get the most from your photos from scanning and digital camera work to advanced digital darkroom techniques.
Fall Photography Workshop

Application Information

Tuition: $550 Includes two daily workshops–one morning, one afternoon– for 4 days, plus admission to all evening presentations. $350 includes one daily workshop for 4-days, plus admission to all evening presentations.

Accommodations and Meals: $200 includes double-occupancy dorm accommodations and meals (breakfast Sat. to dinner Tues.). $280 includes single dorm room and meals.

Materials Fees depending on workshop

Darkroom Access Pass: $130. Available to individuals with advanced darkroom experience, this pass allows you to work in an off-campus black and white darkroom facility. Chemistry and equipment (no film or paper) provided from 7pm to 11pm Saturday-Tuesday. A materials and processing fee will still apply for all workshops with the exception of the Holga workshop, in which your processing fee will be waved if all processing and printing is done during darkroom access times. Transportation is not provided; the facility is approximately 7 miles from campus.

$-25 Discount for early registration: due no later than July 31, 2003.

Send Registration and $150 deposit to: Conference Services, Vermont College, 36 College Street Montpelier, VT 05602
For more information, please call (802) 828-8764 or send us an e-mail.
Conference Services

SEPIA Workshop on management of photographic collections October 17, 2002 October 23, 2002 Netherlands

http://www.knaw.nl/ecpa/sepia/training/workshops.html
Librarians, archivists and curators in charge of photographic materials need to know about the role of new technology in collection management. Digital imaging offers unprecedented opportunities for access to historical materials. But how can it be combined with established preservation methods in an integrated strategy, to ensure optimal access today as well as in the future?


Three workshops on management of photographic collections in 2001, 2002 and 2003 will address this issue. The workshops will cover essentially the same topics and will be organized by the European Commission on Preservation and Access (ECPA).
They are part of the SEPIA (`Safeguarding European Photographic Images for Access’) project, subsidized by the Culture 2000 programme of the European Union.


Introduction.
The characteristics of various photographic processes and the different materials encountered in photographic collections will be reviewed. Specific requirements for their handling and preservation will be related to the nature and function of different types of photographic collections. The workshops will explore the different methods for capturing images (especially for fragile or sensitive materials), technical requirements in relation to image quality, and long-term management of digital files. Issues will be approached as management problems, and due attention will be given to aspects like needs assessment, setting priorities, planning, budgeting and outsourcing, and project management.


In the scope of the workshop, participants will acquire knowledge of technical issues that will enable them to make informed decisions about the role of digitization in care and management of photographic collections.


The speakers include leading figures from the field of photographic conservation, preservation management, and digital imaging, who have first-hand knowledge of the challenges facing managers of photographic collections. They will present outlines of issues and practical cases, and a substantial part of the workshops will be spent on discussions and group assignments to develop participants? skills in finding their own solutions.


Topics and features


The nature of photography: history of photography, identification of photographic materials and techniques, forms of deterioration


Preservation: preventive measures, environmental issues, storage, packaging, handling, effect on life span; duplication: analogue or digital; financial and managerial aspects of preservation


Digital imaging: planning a digitization project, goals, selection criteria, technical specifications, scanning, color management, image enhancement yes or no? quality control; scanning & preservation, management of digital assets: long-term access to digital archives, descriptions & metadata


Collection management: photographic collections & institutions, users? requirements, defining preservation policies, storing and displaying photographs, digitization as one option in collection management


Case study: participants will work in small groups on a project combining digitization and preservation aspects. key words: planning, assessment, defining goals and priorities, workplan, budgeting, staffing


The course will be in English.


Daily sessions from appr. 9.30 a.m. to 5.30 p.m. Course ends Wednesday appr. 4 pm.
Target group
All those responsible for photographic collections in archives, museums, libraries. For this introductory course, no specific expertise of photographic techniques or digital imaging is required. Participants are expected to have a working knowledge of English in order to participate in discussions.
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Registration fee
The fee for this 5-day course is 500 euros. This includes coffees, teas, lunches and a course pack with reading materials. Participants from institutions that are SEPIA partners or ECPA contributors will pay 450 euros.
Kloveniersburgwal 29

SUMMER BLAZE MODELING INDUSTRY EXPO/PAGEANT & FASHION SHOWCASE May 5, 2001 May 5, 2001 USA

http://www.drewblaze.com/summerblaze.htm
The largest free Modeling Industry Expo in South Florida featuring top models, agents, fashion designers, professional photographers, and other industry members exhibiting their work and services to the public. Guest speakers lecture on internet modeling, legal matters, and health and nutrition. The main event is the Summer Blaze Pageant and Fashion Showcase where models and designers from around the country will bring their hottest summer looks on stage in a high-energy competition. The event will be filmed for a behind the scenes documentary and concluded with a special VIP After Party. Ticket purchase required for pageant & After Party admission.

We have established relationships for our event with the following entities: Boom Talent and management, next Model Management, WEDR Radio Station, Miami Herald/El Nueve, Castillo del mar Resort, P.S. apparel, and local area business. There are unlimited resources of promotional opportunities for exhibitors to reach the niche market for all events.

The ultimate goal of the event is to create an exciting learning environment and safe forum for models of all levels to gain information about their industry. Attendees can pinpoint their career strategies, get a head start on their portfolio, meet industry professionals, and expose themselves to powerful networking opportunities.
SUMMER BLAZE EVENTS
Saturday, May 5, 2001
Modeling Expo (9:00 a.m to 3:00 p.m)
Pageant & Fashion Showcase (8:00 to 10:00)
VIP After Party (11 p.m-)

Modeling Expo - Admission: FREE
Pageant & Showcase - Admission: $18.00
(tickets on sale @ www.ticketweb.com)
VIP After Party - Cover: $10.00
Silver Spring, MD